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The Social History of Smoking

George Latimer Apperson

Chapter 10:

It is somewhat significant that Dickens, in the "Old Curiosity Shop," 1840, makes that repulsive dwarf, Quilp, smoke cigars. When the little monster comes home unexpectedly in the fourth chapter of the book, and breaks up his wife's tea-party, he settles himself in an arm-chair—"with his large head and face squeezed up against the back, and his little legs planted on the table"—with a case-bottle of rum, cold water, and a box of cigars before him. "Now, Mrs. Quilp," he says, "I feel in a smoking humour, and shall probably blaze away all night. But sit where you are, if you please, in case I want you." Quilp smokes cigars one after the other, his wretched wife sitting patiently by, from sunset till some time after daybreak. The dwarf's tastes, however, were catholic. A little later in the book the reader finds him, when encamped in the back parlour of the old man's shop, smoking pipe after pipe, and compelling that knavish attorney, Sampson Brass, to do the same. Tobacco-smoke always caused Brass "great internal discomposure and annoyance"; but this made no difference to Quilp, who insisted on his "friend" continuing to smoke, while he inquired: "Is it good, Brass, is it nice, is it fragrant, do you feel like the Grand Turk?" But Quilp and Brass were not in "society."

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The Social History of Smoking

George Latimer Apperson

Chapter 6:

At si
Mundungus desit: tum non funcare recusant
Brown-Paper tostâ, vel quod fit arundine bed-mat.

Tobacco, in Queen Anne's time, still maintained its hold over large classes of the people, and was still dominant in most places of public resort; but there were signs of change in various directions as we have seen, and smoking had to a large extent ceased to be fashionable. Pepys has very few allusions to tobacco; Evelyn fewer still. There is little evidence as to whether or not the gallants of the Restoration Court smoked; but considering the foppery of their attire and manners, it seems almost certain that tobacco was not in favour among them. The beaux with their full wigs—they carried combs of ivory or tortoiseshell in their pockets with which they publicly combed their flowing locks—their dandy canes and scented, laced handkerchiefs, were not the men to enjoy the flavour of tobacco in a pipe. They were still tobacco-worshippers; but they did not smoke. The Indian weed retained its empire over the men (and women) of fashion by changing its form. The beaux were the devotees of snuff. The deftly handled pinch pleasantly titillated their nerves, and the dexterous use of the snuff-box, moreover, could also serve the purposes of vanity by displaying the beautiful whiteness of the hand, and the splendour of the rings upon the fingers. The curled darlings of the late seventeenth century and the "pretty fellows" of Queen Anne's time did not forswear tobacco, but they abjured smoking. Snuff-taking was universal in the fashionable world among both men and women; and the development of this habit made smoking unfashionable.

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